林海英，著名作家。曾担任“世界日报”实习记者，下面是范文大全小编给大家整理的林海英英文简介，供大家参阅!

林海音简介

　　Lin Haiyin (1918 - 20xx), female, Lin Haiyin, born in 1918 in Osaka, Japan, Taiwan Miaoli County head town people, native of Guangdong Jiaoling, famous writer. Served as the "World Daily" intern reporter, presided over the "United Daily News" supplement 10 years. Life has created a number of novels and short stories, the output is very impressive. One of the novel "South of the old things" (1960) is the most famous. She founded the pure literature press (1968-1995) called China's first literary professional publishing house, has published many well-known good book.

林海音生平履历

　　Lin Haiyin, born in 1918 in Osaka, Japan Osaka Seri town health hospital, the father of Lin Huanwen, Taiwan Miaoli County head of the town people, native of Guangdong Jiaoling; mother Lin Aizhen, Taiwan Banqiao people.

　　In 1921, as parents moved to Beijing, Lin Haiyin's childhood was spent in the ancient city of Beijing, where one scene was deeply imprinted on her heart and became another spiritual home outside of Taiwan. Famous representative of the "South of the old things" is Lin Haiyin with its gentle writing written in Beijing belongs to her childhood years of water.

　　Lin Haiyin's growth years and most of the 20th century, 50's writers the same, have passed the old era of the May Fourth New Culture Movement. 16-year-old admitted to the Peking News College, while studying while studying internship journalists, 19-year-old graduate of the "World Daily" reporter, editor, the main run women's news. And Lin Haiyin because of the work of the so, met a lifetime partner Xia Chengying. Two people in May 13, 1939 in the Peking Union Peace Hospital auditorium wedding, was the Peking cultural event. Married into the summer home Yongguang Temple Street family.

　　1948 thirty years old returned to Taiwan, and began to publish literary creation. In 1953, he was employed by the editor of the United Daily newspaper. She served as the editor of the "Associated Deputy" (1953-1963), with a keen literary touch to explore a considerable number of talents, and attached importance to Taiwanese writers such as Lin Huaimin, Huang Chunming, Zheng Qingwen, Zhong Lihe and so on. In addition, and encourage the Japanese writers, such as Yang Kui, Zhong Zhaizheng, Wen Xin, Chen Huiquan, Shi Cuifeng and so on, is an important promoter of Taiwan's literature.

　　Lin Haiyin's own creative harvest period, in the late 1950s, wrote a total of four novels: "Xiaoyun" "south of the old things" "spring" "Meng Zhu's journey", and three short stories: "green algae And salted egg "" marriage story "" candle core ", the output is very impressive.

　　In 1963, he left the editor for ten years, but this setback did not hit her, in 1968 she and several friends co-organized a literary magazine "pure literature monthly". When she wrote this magazine, she had personally sent more than a hundred letters to the basic author of the newspaper, and her enthusiasm and sincerity touched a lot of people. "Pure Literature Monthly" was well received, produced a lot of masterpiece. And she founded the pure literature press (1968-1995) called China's first literary professional publishing house, has published many well-known good books, such as Peng song translated "change the history of the book", son of the prose Set "small sun" "harmonious life", novel "blue and black" "rolling Liaohe" and so on for a long time. Lin Haiyin husband and wife He Fan wrote "glass mat" column more than three decades (1953-1984), as if a history of social development in Taiwan, pure literature special of these valuable information published "He Fan Collection", this book and Won the book editor Jinding Award.

　　In 1990, Lin Haiyin returned to Beijing for four and a half years, and became an important bridge between the two sides of literature exchange. She sent a full set of pure literature series and pure literature monthly to Beijing China Modern Literature Museum, also called on the Taiwan publishing industry a large number of donations to enrich the Taiwan library; she served as "contemporary Taiwan famous writer masterpiece" consultant, a complete introduction of Taiwan writers works. Lin Haiyin's literary achievements have also received the attention of Chinese mainland literary circles. Beijing Modern Chinese Literature Museum held "Lin Haiyin Symposium" in 1997 and 20xx.

林海音社会评价

　　Comments pick

　　1, ... ... However, Lin Haiyin works, it is special, has its characteristics and distinctive style, because she is more stubborn to the subject only limited to a woman who, with a woman's eyes and meticulous observation to shape A world; the passage of time, social transformation, the vicissitudes of things, all through the woman's mind and body to look for performance. It can be said that she is almost no one woman is a hospice; it means that she describes the women are tasted disappointment, love setbacks, mostly unfortunate. No woman is really happy, although these women do not lack the joy of life or the survival of love, but they are still unfortunate group. But what is happiness, is it there? Happiness is nothing more than a faint illusion or a bluebird? It's worth pondering. However, in a secular view, the image of the woman sculpted by Lin Haiyin is a woman who is worried about the sadness of the bitter misery, and the ice walls that surround the fate of them, They are a group of abused. (Selected from the "Ye Shi Tao: Lin Haiyin," Taiwan Literature and Art "5:18")

　　2, Lin Haiyin is good at the performance of the "May Fourth" New Culture Movement since the old and new era of women's love marriage. Her pen, almost stubbornly swim in this field, constantly digging, exploring, thinking, and effort from the ancient mirror of love and marriage, reflecting the historical changes and the ups and downs of the times, or positive, or side To reflect the style of Chinese society after the end of the Qing Dynasty and the beginning of the Anti-Japanese War, which constituted a marriage history of Chinese women since modern times. In this image of the history of women's marriage, she wrote the relationship between the couple's concubine family, the concubine's humble status; write the martyrs virgins can not be people's distress; write abandoned woman desolately sad; Marriage under the distorted mind; also write from the old morals struggling out of the women's bitter. These themes and characters, in the history of modern Chinese literature is not uncommon, from many predecessors such as Lu Xun, Guo Fen, Yu Dafu, Ba Jin's works, we can not find such a character sisters. However, Lin Haiyin has her unique artistic personality. She tried to inherit the predecessors of the literary tradition, but also the courage to explore, for the discovery, innovation. (Selected from the "Wei Yuwen: On the uniqueness of Lin Haiyin's novels," Taiwan Research Collection "1986 Volume 3")

　　3, "south of the old things" no matter from that point of view are very good works, some people say that it is a female work, because the protagonist inside, such as Huian Museum inside the show Jane, Song mother, are women as the protagonist, especially the whole novel The narrator Yingzi, she has not been infected by the community, with a pure look at the world, even if you see a thief, there will not be the kind of vision we have established, directly determine the thief is bad. Some people think that it is a growing novel, the end of each story are parting, the last paragraph of "Daddy's flowers fell," wrote: Dad died, Eiko also grew up. The whole novel is a growing process, it can be a teenager growth novel, can also be a children's books, or adult readers of childhood memories, it is a lot of facing, I think this is a classic novel very important conditions. (From the "should be phoenix:" read Lin Haiyin: Mr. Lin's editor, writing career and Taiwan literary world ", the success of the University Library Journal 20xx 11